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Risograph Printing

 

Risograph printing service

Damn Fine Print offers our own risograph printing service, meaning we can take your digital files and turn them into gorgeous risograph prints, posters, leaflets, zines and more! If you're new to risograph, read our printing guidelines below to get yourself familiar with the process. Once you've done that, Feel free to fill out our contact form below to get a quote, or take a look at one of our print bundles!

 
 

FILE SET UP

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Risograph printing is done by printing individual layers of different colours on top of each other, in a process similar to screen printing. As a result, your artwork should be set up as high resolution (300dpi) separate greyscale PDF files, one for each colour layer. Please label your files with your name and the corresponding colour of that layer when sending them to us.

Example:

1. Greyscale file for layer 1 (Your_Name_Red.pdf).

2. Greyscale file for layer 2 (Your_Name_Green.pdf).

3. Finished two-colour print.

 Risograph Colour variation is created by altering the shade of grey in your file.

Risograph Colour variation is created by altering the shade of grey in your file.

TEXT: We advise that you do not set text in Photoshop, and instead use Illustrator or InDesign. Do not set text below 6pt, and outline your text where possible.

BITMAPPING AND HALFTONES: The risograph will create a halftone for you, so there is no need to do any bitmapping on your files.

PRINT SIZE: Risograph printers can print up to A3 in size, but cannot print borderless A3. The maximum print area of a risograph printer is 400mmX277mm, bear this in mind when creating your designs.

 

Colours

 Risograph inks are not opaque and will produce interesting results when overlapped

Risograph inks are not opaque and will produce interesting results when overlapped

We currently have seven colours available, including our newest addition, Aqua. Risograph colours are not created on any colour-coding system but we use Pantone reference numbers for close approximations. A lot of depth and variation can be achieved through a limited amount of colours, by varying colour densities or overlapping. Large areas of block colour should be no darker than 75%.

 

REGISTRATION, BLEED AND TRAPPING

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There will always be some mis-registration when printing multiple colours on top of each other so it is best to consider this in your designs. You can limit mis-registration and the resulting white spaces between two colours by trapping the colours in your layout (adding a stroke or border to one or more of your layers.)

1. Two overlapping colours, with no trapping, where misregistration has caused a white gap between colours.

2. Two overlapping colours with added trapping to prevent any gaps from forming.

 

 

BORDERLESS PRINTING?

The risograph can print on paper up to A3 in size, but can not print edge-to-edge at this size. The largest size at which we can print borderless images is 277mm X 400mm.

When printing borderless images, it is necessary to add a 3mm bleed to your image.

What is a 3mm bleed?

Ink that prints 3mm beyond the trim edge of the page to ensure it extends to the edge of the page after trimming. As there is a degree of movement when printing on any press, you should always create 3mm bleed on all edges where bleed is needed. Supplying your job without bleed may result in white lines when we trim it.

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Quirks and Imperfections

Each time a new colour is added to a risograph print, it has to be passed through the machine again, which can cause slight imperfections to occur. Multiple passes can cause marks on the print due to the rubber rollers on the machine feeding the print through again and again. Multiple passes also increase the risk of slight smudging and ink transference onto the back of prints.

Slightly uneven ink coverage is likely when printing large areas of flat colour, and we advise that large areas of block colour be printed at 75% density at the most. We especially advise avoiding large areas of block colour if your project requires double sided printing (magazines, leaflets, etc.)

OUR PAPERS

 A cool, neutral, high quality stock with a smooth or rough finish.   Available in smooth:  100gsm, 120gsm, 170gsm, 300gsm or  Rough:  170gsm.

A cool, neutral, high quality stock with a smooth or rough finish.

Available in smooth: 100gsm, 120gsm, 170gsm, 300gsm or Rough: 170gsm.

 A crisp white stock available with a smooth or rough finish, similar to Munken Lynx but slightly warmer.   Available in smooth:  240gsm and  Rough:  170gsm.

A crisp white stock available with a smooth or rough finish, similar to Munken Lynx but slightly warmer.

Available in smooth: 240gsm and Rough: 170gsm.

 A very popular recycled stock with a subtle fleck and a smooth finish.   Available in : 170gsm.

A very popular recycled stock with a subtle fleck and a smooth finish.

Available in: 170gsm.

 A soft ivory shade which adds a touch a of warmth, with a smooth finish.   Available in:  100gsm, 120gsm, 170gsm, 240gsm.

A soft ivory shade which adds a touch a of warmth, with a smooth finish.

Available in: 100gsm, 120gsm, 170gsm, 240gsm.

 A distressed recycled stock, with tactile, textural fibres running throughout.   Available in:  120gsm. (Due to the stiff finish, this feels more like 170gsm.)

A distressed recycled stock, with tactile, textural fibres running throughout.

Available in: 120gsm. (Due to the stiff finish, this feels more like 170gsm.)

 A very pale grey stock with a smooth finish. An ideal and sturdy substitute to newsprint, with the same newspaper-like feel.   Available in:  110gsm, 140gsm.

A very pale grey stock with a smooth finish. An ideal and sturdy substitute to newsprint, with the same newspaper-like feel.

Available in: 110gsm, 140gsm.

 

Please make sure you have done the following before sENDING your artwork

  • Add a 3mm bleed (where applicable)

  • Ensure that type is outlined where possible

  • Ensure that large areas of block colour are no darker than 75%

  • Ensure that your files are labelled with your name and the corresponding colour of that layer

  • Ensure that each layer of your file is separate and in greyscale.

  • Do not use any effects in InDesign, as they can effect the appearance of ink densities. If these must be used, reopen your files in Photoshop, flatten and overwrite them before sending.

 

PRINTING BUNDLES

Our risograph bundles offer quick and easy pricing for your project.

Need something else? get A Quote!

Fill out this form and we'll get back to you as soon as possible!

Name *
Name
A3 or smaller
Black, Yellow, Medium Blue, Bright Red, Green, Fluorescent Pink (See guide for details)
Let us know your preference of our stocks listed above.
Any questions or queries or details you may have to add.
 

Please make sure you have done the following before sENDING your artwork

  • Add a 3mm bleed (where applicable)

  • Ensure that type is outlined where possible

  • Ensure that large areas of block colour are no darker than 75%

  • Ensure that your files are labelled with your name and the corresponding colour of that layer

  • Ensure that each layer of your file is separate and in greyscale.

 

After submitting your form we will be sure to contact you as soon as possible to retrieve your artwork and proceed.

 
 

RISOGRAPH GUIDELINES

If you would like to take a closer look at the risograph printing process, download our guides here.